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Christian hymn

How Nifty Thou Fine art
Key A Major
Genre Hymn
Written 1885
Text Carl Boberg
Language Swedish
Based on Psalm 8
Meter 11.10.11.10 with refrain
Melody How Smashing M Fine art
Audio sample

MIDI audio sample

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"How Great Thou Art" is a Christian hymn based on a Swedish traditional melody and a poem written by Carl Boberg (1859–1940) in Mönsterås, Sweden, in 1885. It was translated into High german and then into Russian; it was translated into English language from the Russian by English missionary Stuart K. Hine, who too added two original verses of his own. The hymn was popularised past George Beverly Shea and Cliff Barrows during the Baton Graham crusades.[ane] It was voted the British public's favourite hymn by BBC's Songs of Praise. [two] "How Great One thousand Fine art" was ranked second (after "Amazing Grace") on a list of the favourite hymns of all fourth dimension in a survey by Christianity Today magazine in 2001.[3]

Origin [edit]

Boberg wrote the verse form "O Store Gud" (O Slap-up God) in 1885 with nine verses.[4]

Inspiration [edit]

The inspiration for the poem came when Boberg was walking home from church building nearly Kronobäck, Sweden, and listening to church bells. A sudden storm got Boberg's attention, and and so only equally suddenly every bit information technology had made its appearance, it subsided to a peaceful calm which Boberg observed over Mönsterås Bay.[5] According to J. Irving Erickson:

Carl Boberg and some friends were returning home to Mönsterås from Kronobäck, where they had participated in an afternoon service. Presently a thundercloud appeared on the horizon, and soon lightning flashed across the sky. Strong winds swept over the meadows and billowing fields of grain. The thunder pealed in loud claps. And so rain came in cool fresh showers. In a trivial while the tempest was over, and a rainbow appeared. When Boberg arrived abode, he opened the window and saw the bay of Mönsterås like a mirror before him… From the woods on the other side of the bay, he heard the song of a thrush… the church building bells were tolling in the quiet evening. Information technology was this series of sights, sounds, and experiences that inspired the writing of the song.[six]

Co-ordinate to Boberg'southward groovy-nephew, Bud Boberg, "My dad's story of its origin was that it was a paraphrase of Psalm 8 and was used in the 'underground church building' in Sweden in the belatedly 1800s when the Baptists and Mission Friends were persecuted."[seven] The author, Carl Boberg himself gave the following information about the inspiration backside his poem:

It was that fourth dimension of year when everything seemed to be in its richest colouring; the birds were singing in trees and everywhere. Information technology was very warm; a thunderstorm appeared on the horizon and soon at that place was thunder and lightning. We had to bustle to shelter. But the tempest was soon over and the articulate heaven appeared. When I came home I opened my window toward the sea. There obviously had been a funeral and the bells were playing the tune of "When eternity's clock calls my saved soul to its Sabbath residuum". That evening, I wrote the vocal, "O Store Gud".[7]

Publication and music [edit]

HowGreatThouArt.png

Boberg commencement published "O Store Gud" in the Mönsterås Tidningen (Mönsterås News) on 13 March 1886 .[7]

The poem became matched to an former Swedish folk melody and sung in public for the get-go-known occasion in a church in the Swedish province of Värmland in 1888.[8] Eight verses appeared with the music in the 1890 Sions Harpan.[7]

In 1890 Boberg became the editor of Sanningsvittnet (The Witness for the Truth). The words and music were published for the first time in the 16 Apr 1891 edition of Sanningsvittnet. Instrumentation for both piano and guitar was provided by Adolph Edgren (born 1858; died 1921 in Washington, D.C.), a music teacher and organist, who after migrated to the United States.[nine]

Boberg subsequently sold the rights to the Svenska Missionsförbundet (Mission Covenant Church of Sweden). In 1891 all nine verses were published in the 1891 Covenant songbook, Sanningsvittnet.[7] These versions were all in iii/4 time. In 1894 the Svenska Missionsförbundet sångbok [10] [ improve source needed ] published "O Shop Gud" in 4/4 time as information technology has been sung ever since).[9]

In 1914, the Swedish Evangelical Mission Covenant of America published four verses of O store Gud! in their hymnal, De Ungas Sångbok: utgiven för Söndagsskolan Ungdomsmötet och hemmet. [11] The Swedish version that appeared in this edition was:

1914 Swedish-American version Literal English language translation
Stanza 1:

O store Gud, när jag den verld beskådar

Som du har skapat med ditt allmaktsord,

Hur der din visdom leder lifvets trådar,

Och alla väsen mättas vid ditt bord:


Refrain:

Då brister själen ut i lofsångsljud:

O store Gud, O store Gud!

Då brister själen ut i lofsångsljud:

O store Gud, O store Gud!

Stanza 1:

O bully God, when I await at that world

As yous take created with your word of omnipotence,

How your wisdom guides the threads of life,

And all beings are saturated at your table:


Refrain:

Then the soul bursts forth into praise:

O great God, O great God!

Then the soul bursts forth into praise:

O groovy God, O great God!

Stanza 2:

När jag betraktar himlens höga nether,

Der gyllne verldsskepp plöja etern blå,

Och sol och måne mäta tidens stunder

Och vexla om, som tvänne klockor gå:

Refrain

Stanza 2:

When I consider the high wonders of sky,

In that location gilt earth ships plow the ether blue,

And dominicus and moon mensurate the moments of time

And switch, as two bells go:

Refrain

Stanza 3:

När jag hör åskans röst i stormen brusa

Och blixtens klingor springa fram ur skyn,

När regnets kalla, friska vindar susa

Och löftets båge glänser för min syn:

Refrain

Stanza 3:

When I hear the voice of thunder in the tempest roaring

And the blades of lightning run out of the sky,

When the common cold, fresh winds of the rain whistle

And the bow of the hope shines for my sight:

Refrain

Stanza iv:

När sommarvinden susar över fälten,

När blommor dofta omkring källans strand,

När trastar drilla i de gröna tälten

Ur furuskogens tysta, dunkla rand:

Refrain

Stanza 4:

When the summertime wind blows over the fields,

When flowers smell effectually the source beach,

When thrushes tease in the green tents

From the quiet, dark stripe of the pine wood:

Refrain

English translations [edit]

E. Gustav Johnson (1925) [edit]

The outset literal English translation of O shop Gud was written by East. Gustav Johnson (1893–1974),[12] then a professor of North Park Higher, Illinois. His translation of verses i, ii, and 7-9 was published in the U.s.a. in the Covenant Hymnal equally "O Mighty God" in 1925.[9] [thirteen] [fourteen]

The start three Covenant hymnals in English used Johnson's translation, with The Covenant Hymnal (1973) including all nine verses of Boberg's original poem. There was a desire to supplant Johnson's version with the more pop version of British missionary Stuart K. Hine'southward "How Neat Thou Art". Wiberg explains:

Given the popularity of Stuart Hine's translation of How Smashing Thou Art in the late 60s and early 70s, the Hymnal Commission struggled with whether to get with the more pop version or retain Due east. Gustav Johnson'southward translation. However, economics settled the issue inasmuch as we were unable to pay the exorbitant toll requested by the publishing house that endemic the copyright despite the fact that the original belonged to the Covenant.[14]

The version that appeared in the 1973 edition of The Covenant Hymnbook was:

O mighty God, when I behold the wonder
Of nature's dazzler, wrought by words of thine,
And how thou leadest all from realms up yonder,
Sustaining earthly life with beloved benign,

Refrain:
With rapture filled, my soul thy name would laud,
O mighty God! O mighty God! (echo)

When I behold the heavens in their vastness,
Where gold ships in azure issue forth,
Where sunday and moon continue watch upon the fastness
Of changing seasons and of time on earth.

When crushed by guilt of sin before thee kneeling,
I plead for mercy and for grace and peace,
I feel thy balm and, all my bruises healing,
My soul is filled, my eye is prepare at ease.

And when at last the mists of time have vanished
And I in truth my religion confirmed shall come across,
Upon the shores where earthly ills are banished
I'll enter Lord, to dwell in peace with thee.[15] [xiv]

In 1996 Johnson'due south translation was replaced in The Covenant Hymnal—A Worshipbook because "East Gustav Johnson's version, while closer to the original, uses a more archaic language."[14] Even so, according to Glen V. Wiberg:

While there was sympathy on the commission for retaining this older version, a compromise led to preserving information technology in printed form on the opposite page of How Dandy M Art, hymn eight. The new version with fresher language and some striking metaphors seems uneven and incomplete.[xiv]

Stuart K. Hine (1949 version) [edit]

British Methodist missionary Stuart Wesley Keene Hine (25 July 1899 – 14 March 1989)[sixteen] [17] [18] was dedicated to Jesus Christ in the Salvation Army past his parents. Hine was led to Christ by Madame Annie Ryall on 22 February 1914, and was baptised presently thereafter. Hine was influenced greatly by the teachings of British Baptist evangelist Charles Spurgeon.[16]

Hine offset heard the Russian translation of the German language version of the song while on an evangelistic mission to the Carpathian Mountains, and so of the Soviet's Ukrainian SSR, in 1931.[sixteen] Upon hearing it, Hine was inspired to create his English paraphrase known equally "How Cracking K Fine art".[14] Co-ordinate to Michael Ireland, "Hine and his married woman, Mercy, learned the Russian translation, and started using information technology in their evangelistic services. Hine as well started re-writing some of the verses --- and writing new verses (all in Russian) --- equally events inspired him."[7] [16]

Poesy three [edit]

One of the verses Hine added was the current third poetry:

And when I think that God, His Son non sparing,
Sent Him to die, I scarce tin accept it in;
That on the Cross, my burden gladly begetting,
He bled and died to take away my sin.

Michael Republic of ireland explains the origin of this original poesy written by Hine:

Information technology was typical of the Hines to ask if there were any Christians in the villages they visited. In ane instance, they found out that the only Christians that their host knew about were a man named Dmitri and his wife Lyudmila. Dmitri's wife knew how to read -- evidently a fairly rare matter at that fourth dimension and in that place. She taught herself how to read because a Russian soldier had left a Bible behind several years before, and she started slowly learning by reading that Bible. When the Hines arrived in the village and approached Dmitri's firm, they heard a foreign and wonderful sound: Dmitri's wife was reading from the gospel of John about the crucifixion of Christ to a houseful of guests, and those visitors were in the very act of repenting. In Ukraine (every bit I know first mitt!), this human action of repenting is done very much out loud. And so the Hines heard people calling out to God, saying how unbelievable it was that Christ would die for their own sins, and praising Him for His dearest and mercy. They only couldn't barge in and disrupt this obvious work of the Holy Spirit, so they stayed outside and listened. Stuart wrote downwardly the phrases he heard the Repenters use, and (even though this was all in Russian), it became the third poesy that we know today: "And when I think that God, His Son not sparing, Sent Him to dice, I scarce tin can take it in."[7]

The Hines had to go out Ukraine during the Holodomor or Dearth Genocide perpetrated on Ukraine past Joseph Stalin during the winter of 1932–33, and they likewise left Eastern Europe at the outbreak of the Second World State of war in 1939, returning to Britain, where they settled in Somerset.[vii] [xix] Hine continued his evangelistic ministry building in Uk working among the displaced Polish refugee community.[9]

Verse 4 [edit]

The fourth poetry was some other innovation of Stuart Hine, which was added after the Second World War. His concern for the exiled Polish community in Britain, who were anxious to return home, provided part of the inspiration for Hine's terminal verse.[ix] Hine and David Griffiths visited a army camp in Sussex, England, in 1948 where displaced Russians were existence held, but where simply two were professing Christians.[xvi] The testimony of one of these refugees and his anticipation of the 2d coming of Christ inspired Hine to write the fourth stanza of his English version of the hymn.[16] According to Ireland:

Ane man to whom they were ministering told them an astonishing story: he had been separated from his married woman at the very stop of the state of war, and had not seen her since. At the time they were separated, his married woman was a Christian, only he was not, but he had since been converted. His deep desire was to find his wife then they could at terminal share their faith together. But he told the Hines that he did not recall he would ever see his wife on earth over again. Instead he was longing for the day when they would meet in heaven, and could share in the Life Eternal at that place. These words over again inspired Hine, and they became the footing for his fourth and final verse to 'How Great Thou Art': "When Christ shall come up with shout of acclamation to have me domicile, what joy shall fill my heart. Then nosotros shall bow in apprehensive adoration and at that place proclaim, My God How Great Thou Fine art!"[seven]

Optional verses by Hine [edit]

In Hine'southward book, Non Yous, simply God: A Testimony to God's Faithfulness,[20] Hine presents two additional, optional verses that he copyrighted in 1953 every bit a translation of the Russian version,[sixteen] that are generally omitted from hymnals published in the Usa:

O when I see ungrateful man defiling
This bounteous earth, God'due south gifts so skilful and great;
In foolish pride, God's holy Name reviling,
And yet, in grace, His wrath and judgment wait.

When burdens press, and seem beyond endurance,
Bowed down with grief, to Him I lift my confront;
And then in beloved He brings me sweet assurance:
'My kid! for thee sufficient is my grace'.

Subsequent history [edit]

In 1948 Hine finished composing the final poesy. Hine finalised his English translation in 1949,[21] and published the final four verse version in his own Russian gospel magazine Grace and Peace that same year.[9] Every bit Grace and Peace was circulated among refugees in fifteen countries around the earth, including Due north and Southward America, Hine'south version of O store Gud (How Great Yard Art) became popular in each country that it reached. British missionaries began to spread the song around the world to former British colonies in Africa and India in approximately its current English version.

According to Hine, James Caldwell, a missionary from Fundamental Africa, introduced Hine's version to the United States when he sang it at a Bible conference of the Stony Brook Assembly in Stony Beck, New York, on Long Isle in the summer of 1951.[9]

Hine published hymns and evangelical literature in various languages,[19] including Eastern Melodies & Hymns of other Lands (1956)[22] and The Story of "How Great Thou art": How it came to exist written ... With complete album of hymns of other lands ... Russian melodies, Eastern melodies, etc (1958).[23] Hine died on 14 March 1989. His memorial service was held at the Gospel Hall on Martello Road, Walton-on-Naze, Essex, England, on 23 March 1989.[16]

Manna Music version (1955) [edit]

A program note from a Gustavus Adolphus College, Minnesota, concert tells listeners that J. Edwin Orr (15 Jan 1912 – 22 April 1987) of Fuller Theological Seminary in Pasadena, California discovered the song being sung in a small village near Deolali, India by a choir of the Naga tribe from Assam near Burma. The tribesmen had arranged the harmony themselves, and a Mennonite missionary had transcribed information technology.[9]

Orr was so impressed with the vocal that he introduced information technology at the Forest Home Christian Conference Middle in the San Bernardino Mountains of southern California founded in 1938 past Henrietta Mears (23 October 1890 – xix March 1963) in the summer of 1954. Mears' publishing company, Gospel Light Printing, published Hine's version of the vocal in 1954.[seven] However, co-ordinate to Manna Music's website,

Dr. Orr'due south theme for the calendar week of the conference was "Call up not what dandy things yous can do for God, only call back first of whatever you tin do for a great God." And and so he introduced the song at the start of the conference and information technology was sung each mean solar day. Attention the Forest Dwelling house higher-age conference were Hal Spencer and his sister, Loretta, son and daughter of Tim Spencer, who was a songwriter and publisher of Christian music. Hal and Loretta borrowed the song sheet from Dr. Orr and brought information technology abode and gave it to their father.[24]

Their begetter was Vernon 'Tim' Spencer (13 July 1908 – 26 Apr 1974),[25] [26] a converted cowboy, and former member of The Sons of the Pioneers, who had founded the newly established Manna Music of Burbank, California in 1955.[ix] [27] Spencer negotiated with Hine for the purchase of the song.[9] [28]

The Manna Music editors inverse "works" and "mighty" in Hine'due south original translation to "worlds" and "rolling" respectively. According to Manna Music, "Presently it is considered, and has been for several years, to exist the most popular Gospel song in the world."[28]

The first time "How Neat Thou Art" was sung in the The states was at the aforementioned Forest Home conference in 1954, led by Dr. Orr. In honor of this outcome, Wood Home had the words to the song carved on a polished Redwood plaque. This plaque hangs on the wall of Hormel Hall at Forest Home to this solar day, enabling people to sing it at any time, to assist in learning the song, and to raise hearts to the Lord in impassioned praise.

The commencement major American recording of "How Great M Art" was by Neb Carle[24] in a 1958 Sacred Records album of the aforementioned name (LP 9018).[29] He reprised the song on his "Who Hath Measured the Waters In the Hollow of His Manus" album (Sacred Records LP 9041) later that year.[29]

Billy Graham Evangelistic Crusades [edit]

The Manna Music version of the song was popularised as the "signature song" of the 1950s Billy Graham Crusades.[xxx] It was popularized by George Beverly Shea and Cliff Barrows during Billy Graham crusades.[one] According to Ireland:

As the story goes, when the Baton Graham team went to London in 1954 for the Harringay Cause, they were given a pamphlet containing Hine's work. "At showtime they ignored it, only fortunately not for long," said [Bud] Boberg. They worked closely with Hine to prepare the song for use in their campaigns. They sang it in the 1955 Toronto entrada, but it didn't really take hold of on until they took it to Madison Square Garden in 1957. According to Cliff Barrows (Dr. Graham's longtime associate), they sang it 1 hundred times during that campaign because the people wouldn't let them end."[vii]

The pamphlet had been given to Shea by his friend Andrew Greyness, who worked with the Pickering and Inglis publishing firm,[31] on Oxford Street in London in 1954. Barrows, who also had been given a copy, had Paul Mickelson (died 21 Oct 2001)[32] arrange the song for utilise in the 1955 Toronto Cause.[33] George Beverly Shea's recording of the hymn ranks number 204 on the elevation recordings of the 20th century according to the Recording Industry Association of America.

Evangelist Baton Graham said: "The reason I like 'How Cracking Thou Art' is because it glorifies God. It turns Christian's eyes toward God, rather than upon themselves. I utilize information technology as frequently every bit possible because it is such a God-honoring song."[24]

Christiansen translation (1956) [edit]

A translation exists by Avis B. Christiansen, retaining the "O Store Gud" melody with an arrangement past Robert J. Hughes. This version, titled "Lord, I Adore Thee", appears in the 1958 hymnal Songs for Worship.[34]

Bayly translation (1957) [edit]

The hymn was translated in 1957 for InterVarsity Christian Fellowship by Joseph T. Bayly (5 April 1920 – xvi July 1986), and set up to the music of Josephine Carradine Dixon. According to Bud Boberg, the grandson of the younger brother of the original author of the poem:

"It's a quite literal translation from Boberg, but I doubtable that he had the Hine work at paw considering he uses the phrase 'how great Thou art.' Also, the music by Josephine Carradine Dixon is similar to Hine'due south. He added two verses of his own."[seven]

Other translations [edit]

German translation (1907) [edit]

The vocal was first translated from Swedish to German past a wealthy Baltic German Baptist nobleman, Manfred von Glehn (born 1867 in Jelgimaggi, Republic of estonia; died 1924 in Brazil),[35] [36] who had heard the hymn in Republic of estonia, where there was a Swedish-speaking minority. It was offset published in Blankenburger Lieder.[9] The song became popular in Germany, where "Wie groß bist Du" is the common championship (the commencement line is "Du großer Gott").[7]

Russian translation (1912) [edit]

Eventually, the German version reached Russia where a Russian version entitled "Velikiy Bog" (Великий Бог - Great God)[37] was produced in 1912 past Ivan Due south. Prokhanov (1869–1935),[38] the "Martin Luther of Russia",[9] and "the almost prolific Protestant hymn writer and translator in all of Russian federation" at that time[7] in a Russian-language Protestant hymnbook published in Saint petersburg (later Leningrad), Kymvali (Cymbals).[9] An enlarged edition of this hymnbook entitled "Songs of a Christian", including "Velikiy Bog" was released in 1927.[9]

Spanish translation (1958) [edit]

The hymn was translated into Spanish past Pastor Arturo W. Hotton, from Argentina, in 1958 by the name of "Cuán grande es Él". He was an Evangelical leader of the Plymouth Brethren denomination. By the 1960s information technology began to be sung past many Evangelical churches in the Spanish-speaking world.

Erik Routley (1982) [edit]

Eminent British hymnologist Erik Routley (born 31 Oct 1917; died 1982)[39] so disliked both the hymn and its melody, he wrote a new text, "O Mighty God" and re-harmonised the Swedish tune in 1982. This was i of his last works earlier his decease. His translation was included as hymn 466 in Rejoice in the Lord: A Hymn Companion to the Scriptures (1985).[fourteen] : Wibeg incorrectly refers to Routley every bit Eric Rowley. [40] [41]

"O Store Gud" became more popular in Sweden subsequently the dissemination of "How Great One thousand Art" in English. Swedish gospel singer Per-Erik Hallin has credited Elvis Presley's rendition of "How Great Thou Art" as a major gene in the revival of "O Shop Gud" in Sweden.[42] [ better source needed ]

In English language the first line is "O Lord, my God"; and the hymn may announced with that heading, peculiarly in British hymnals, where first-line citation is the ascendant practice.[43] English-linguistic communication hymnals prevailingly signal the tune championship as the Swedish starting time line, O Store GUD.

Māori version [edit]

In New Zealand, the hymn melody is most widely known through a different hymn called Whakaaria Mai. The Māori verses were composed by Canon Wiremu Te Tau Huata, who served as a chaplain during WWII for the 28th (Māori) Battalion and composed many famous waiata. While set to the music of "How Great One thousand Art", and oft combined with the English language version of this hymn, the Māori lyrics are instead a loose translation of the hymn "Abide with Me".[44] The hymn was popularised by Sir Howard Morrison, who sung it at the Royal Command Performance in 1981 upon the occasion of the visit of Queen Elizabeth Ii to New Zealand.[45] When Morrison released it as a unmarried in 1982, Whakaaria Mai spent six months in the New Zealand national charts, including five weeks in the number one position.[44]

Whakaaria Mai has subsequently go a mainstay of New Zealand pop civilization. It has been covered past numerous New Zealand artists, including Prince Tui Teka, Eddie Depression, Temuera Morrison and the Mod Māori Quartet, Stan Walker, Matriarch Kiri Te Kanawa, TEEKS and Hollie Smith. It was also sung by Lizzie Marvelly at the memorial service of New Zealand rugby legend Jonah Lomu.[46] [47] Following the 2019 terrorist attack in Christchurch, John Mayer opened his Auckland bear witness by performing Whakaaria Mai / How Great G Art alongside a kapa haka group as a tribute to Christchurch.[48] In 2017, Catechism Wiremu Te Tau Huata was awarded the Music Composers Award (Historical) at the 10th Annual Waiata Māori Music Awards, in part due to his composition of Whakaaria Mai.[49]

Notable performers [edit]

Amongst notable renditions of "How Great M Art" are recordings by James Edward Cleveland (9 December 1962) an American gospel singer, musician, and composer known every bit the King of Gospel music, The Blackwood Brothers Quartet,[l] Dixie Carter, Tammy Wynette (1969 anthology Inspiration), Charlie Daniels, Tennessee Ernie Ford (backed past the Jordanaires),[51] Burl Ives, Alan Jackson, Billy Preston, Dolly Parton, Martina McBride, Elvis Presley, Cliff Richard, Roy Rogers,[52] George Beverly Shea, Carrie Underwood and Connie Smith,[53] whose "inspiring iv-minute rendition ... originally appeared on the otherwise secular anthology Dorsum in Baby's Arms in 1969". Mahalia Jackson performed "How Great Thou Art" in Hamburg in 1961.[54] A rendition by the Statler Brothers, from their album Holy Bible New Attestation, peaked at number 39 on the Hot Country Songs charts in 1976.[55] The hymn became the de facto theme of New Zealand entertainer Sir Howard Morrison, who released it equally a single sung in both English and Maori in 1981.[44] Afterwards his expiry in 2009, a tribute tour under the championship "Sir Howard Morrison: How Great Grand Fine art" travelled throughout the state.[56]

There have been over seventeen hundred documented recordings of "How Corking Thou Art".[24] It has been used on major television programs, in major movement pictures, and has been named as the favorite Gospel song of at to the lowest degree iii U.s.a.' presidents.[24]

This hymn was the title track of Elvis Presley's second gospel LP How Bang-up Thou Art (RCA LSP/LPM 3758),[57] which was released in March 1967.[58] The song won Presley a Grammy Accolade for "Best Sacred Performance" in 1967, and some other Grammy in 1974 for "Best Inspirational Performance (Not-Classical)" for his live functioning album Recorded Live on Stage in Memphis (RCA CPL 1 0606; Released: June 1974) recorded on 20 March 1974 at the Mid-South Coliseum in Memphis, Tennessee.[59] [60] [61]

Amy Grant recorded it as part of a medley "What a Friend Nosotros Accept in Jesus/Old Rugged Cross/How Corking M Art" for her 2002 studio anthology Legacy... Hymns and Faith, and later included it on her 2015 compilation album Exist Still and Know... Hymns & Faith.

On 4 Apr 2011, Carrie Underwood performed this song on ACM Presents: Girls Dark Out show. She sang together with Vince Gill and received a continuing ovation. Information technology was televised on CBS on 22 April 2011, and shortly after the bear witness had ended, her version of "How Great Thou Art" single reached No. i spot in iTunes Top Gospel Song and Pinnacle 40 in iTunes All-Genre Songs.[62] It debuted at the No. 2 position on Billboard Christian Digital songs chart and No. 35 on the Country Digital Songs chart.[63] [64] As of December 2014, it has sold 599,000 digital copies in the USA.[65] Underwood's version, featuring Gill, is included on her 2014 compilation album, Greatest Hits: Decade No. 1.[66]

In 2016, quondam Isley Brother Chris Jasper included a soulful version of the song on his album Share With Me. This is also the year when acapella group Home Complimentary released their own embrace of the song and it is their 7th track on their holiday album, Full of (Even More than) Cheer.[ citation needed ]

In 2017, Pentatonix and Jennifer Hudson covered the song for the palatial edition of the holiday album A Pentatonix Christmas.[ citation needed ]

In March 2019, multi-Grammy winning artist John Mayer debuted his world tour by performing a rendition of the hymn in New Zealand only eight days after the deadly shootings at two mosques in Christchurch, New Zealand.[ commendation needed ]

Commonly used English language lyrics [edit]

O Lord my God! When I in awesome wonder
Consider all the works Thy hand hath made.
I see the stars, I hear the rolling thunder,
Thy power throughout the universe displayed.

Refrain:
So sings my soul, my Saviour God, to Thee:
How great Thou art, how great Grand fine art!
And then sings my soul, my Saviour God, to Thee:
How great M art, how smashing 1000 fine art!

When through the wood and forest glades I wander
And hear the birds sing sweetly in the trees;
When I expect downwardly from lofty mountain grandeur
And hear the brook and feel the gentle breeze:

And when I think that God, His Son non sparing,
Sent Him to die, I scarce can take it in;
That on the cross, my burden gladly begetting,
He bled and died to accept abroad my sin:

When Christ shall come up with shout of acclaim
And take me home, what joy shall make full my middle!
And then I shall bow in humble adoration,
And there proclaim, my God, how bully Thou art!

Other verses [edit]

Boberg's entire poem appears (with primitive Swedish spellings). Presented below are ii of those verses which announced (more than or less loosely) translated[67] in British hymnbooks, followed in each example by the English language.[68]

När tryckt av synd och skuld jag faller neder,
Vid Herrens fot och ber om nåd och frid.
Och han min själ på rätta vägen leder,
Och frälsar mig från all min synd och strid.

When burdens press, and seem beyond endurance,
Bowed downwardly with grief, to Him I lift my face;
And so in love He brings me sweet balls:
'My child! for thee sufficient is my grace'.

När jag hör dårar i sin dårskaps dimma
Förneka Gud och håna hvad han sagt,
Men ser likväl, att de hans hjälp förnimma
Och uppehållas af hans nåd och makt.

O when I see ungrateful man defiling
This bounteous earth, God'south gifts so good and cracking;
In foolish pride, God'south holy Name reviling,
And yet, in grace, His wrath and judgment await.

Swedish hymnals frequently include the post-obit verse:[69]

När jag hör åskans röst och stormar brusa
Och blixtens klingor springa fram ur skyn,
När regnets kalla, friska skurar susa
Och löftets båge glänser för min syn.

When I hear the vocalism of thunder and storms
and see the blades of thunder striking from the sky
when the cold rain and fresh showers whirl
and the arc of promise shines before my eyes.

References [edit]

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  2. ^ Bradley, Ian (2000), "All Things That Give Sound", in Chadwick, Henry (ed.), Not Angels, But Anglicans: A History of Christianity in the British Isles, Norwich: Canterbury Press, p. 208 .
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  5. ^ Tan, P.50 (1996) [c. 1979], Encyclopedia of 7700 illustrations: A treasury of illustrations, anecdotes, facts and quotations for pastors, teachers and Christian workers, Bible Communications .
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  13. ^ The New Century Hymnal. United Church of Christ. 1995. see footnote to "O Mighty God When I Survey in Wonder", hymn 35
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  21. ^ cited from Forrest Mason McCann & Jack Boyd, editors, (1986), Not bad Songs of the Church building Revised (Abilene, Texas: ACU Printing), Item lx. ISBN 0-915547-ninety-2.
  22. ^ S.Yard. Hine, composer & arranger, Eastern Melodies & Hymns of other Lands (S.G. Hine, 1956)
  23. ^ Due south.G. Hine, The Story of "How Cracking Thou art": How information technology came to be written ... With complete album of hymns of other lands ... Russian melodies, Eastern melodies, etc (S.Grand. Hine, 1958).
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  30. ^ Copyright data, together with indication that Hine finalized his English translation in 1949, cited from Forrest Mason McCann & Jack Boyd, editors, (1986), Great Songs of the Church Revised (Abilene, Texas: ACU Press), Item sixty. ISBN 0-915547-xc-two.
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  36. ^ How Keen G art / O store Gud / Wie groß bist du gospel Christian songs gratuitous mp3 midi download; This gives the original ix verses of Boberg's Swedish original, vi verses of von Glehn's German translation, likewise equally the iv verses of Stuart Yard. Hine's English translation.
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  67. ^ The translator was Stuart Chiliad. Hine. See particularly, in that article, the section on "Translation and Migration of the Song."
  68. ^ From Albert E. Wynstanley & Graham A. Fisher, editors, (1995), Favourite Hymns of the Church (Aylesbury, Buckinghamshire: Centre-Opener Publications), ISBN 0-9514359-one-4, Item 14.
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Further reading [edit]

  • Collins, Ace. Stories Backside the Hymns that Inspire America: Songs that Unite Our Nation. (Yard Rapids, MI: Zondervan, 2003): 89–96.
  • Elmer, Richard Yard. "'How Great G Art! "The Vicissitudes of a Hymn." The Hymn 9 (January 1958):18–20. A discussion of the two translations of the text by E. Gustav Johnson and Hine.
  • Richardson, Paul A. "How Great Thou Art." Church Musician 39 (August 1988):9–one 1. A Hymn of the Month commodity on the text by Carl Boberg as translated by Hine.
  • Underwood, Byron E. "'How Cracking Thou Art' (More Facts about its Development)." The Hymn 24 (October 1973): 105–108; 25 (Jan 1974): 5–viii.

External links [edit]

  • "How Nifty Thou Art" and the 100-Twelvemonth-Old Bass.

petersonwithad.blogspot.com

Source: https://en.wikipedia.org/wiki/How_Great_Thou_Art

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